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In the midst of the Persian-Greco war, Spartan King Leonidas leads his army of 300 soldiers into battle against the invading Persian army during the Battle of Thermopylae. According to legend, their valor and sacrifice inspired all of Greece to unite against the Persian foe, leading to the origins of democracy.

Based on a Graphic Novel this film is more about the imagery and cinematics than anything else.

The story tells of 300 Spartan warriors who defy their law to defend Greece against a huge Persian army. The time spared for the political matters and history of the story are outweighed by the immense battles scenes and the atmospheric scenes which lead up to it.

Throughout, the film uses dark colours and CGI enhanced action to truly stunning effect. The story and dialog are very simple - this is not a film to make you think. Instead it is a feast for the senses - beauty and artistic value are undeniable.

Like Sin City before it, 300 brings Frank Miller and Lynn Varley's graphic novel vividly to life. Gerard Butler (Beowulf and Grendel, The Phantom of the Opera) radiates pure power and charisma as Leonidas, the Grecian king who leads 300 of his fellow Spartans (including David Wenham of The Lord of the Rings, Michael Fassbender, and Andrew Pleavin) into a battle against the overwhelming force of Persian invaders. Their only hope is to neutralise the numerical advantage by confronting the Persians, led by King Xerxes (Rodrigo Santoro), at the narrow strait of Thermopylae.

More engaging than Troy, the tepid and somewhat similar epic of ancient Greece, 300 is also comparable to Sin City in that the actors were shot on green screen, then added to digitally created backgrounds. The effort pays off in a strikingly stylised look and huge, sweeping battle scenes. However, it's not as to-the-letter faithful to Miller's source material as Sin City was. The plot is the same, and many of the book's images are represented just about perfectly. But some extra material has been added, including new villains (who would be considered "bosses" if this were a video game, and it often feels like one) and a political subplot involving new characters and a significantly expanded role for the Queen of Sparta (Lena Headey). While this subplot by director Zack Snyder (Dawn of the Dead) and his fellow co-writers does break up the violence, most fans would probably dismiss it as filler if it didn't involve the sexy Headey. Other viewers, of course, will be turned off by the waves of spurting blood, flying body parts, and surging testosterone. (The six-pack abs are also relentless, and the movie has more and less nudity--more female, less male--than the graphic novel.) Still, as a representation of Miller's work and as an ancient-themed action flick with a modern edge, 300 delivers. --David Horiuchi

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