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Monty Python delivers a scathing, anarchic satire of both religion and Hollywood's depiction of all things biblical with their second--and tightest--full-length film. The setting is the Holy Land in 33 A.D., a time of poverty and chaos, with no shortage of messiahs, followers willing to believe in them, and exasperated Romans trying to impose some order. At the center of it all is Brian Cohen (Graham Chapman), a reluctant would-be messiah who rises to prominence as a result of a series of absurd and truly hilarious circumstances that parallel the life of Christ--providing ample opportunity for the entire ensemble (John Cleese, Eric Idle, Terry Gilliam, Terry Jones, Michael Palin, and Chapman) to shine in multiple roles as they blaspheme and mock everyone and everything from ex-lepers, Pontius Pilate, and the art of haggling to crazy prophets, Roman centurions, and crucifixion.

In my opinion this is definitely the best of the Mont Python films, filled with their particular form of humour from beginning to end. Brian is a contempory of Jesus, living in Roman occupied Jerusalem, his life closely mirroring Christ's, so it is likely to offend some. The Jews are portrayed as hysterical and gullible and the Romans as totally incompetent, which gives plenty of scope for humour - it is a Pontius Pilot who cannot pronounce his 'r's which doubles me up every time. Most of the Python crew play several parts, but this only enhances the film. Authentic looking sets and costumes also add to the effectiveness of the taking of the Mickey out of the more serious historical epics dealing with this period.

There is not a single joke, sight-gag or one-liner in Monty Python's Life of Brian that will not forever burn itself into the viewer's memory as being just as funny as it is possible to be, but--extraordinarily--almost every indestructibly hilarious scene also serves a dual purpose, making this one of the most consistently sustained film satires ever made. Like all great satire, the Pythons not only attack and vilify their targets (the bigotry and hypocrisy of organised religion and politics) supremely well, they also propose an alternative: be an individual, think for yourself, don't be led by others. "You've all got to work it out for yourselves", cries Brian in a key moment. "Yes, we've all got to work it our for ourselves", the crowd reply en masse. Two thousand years later, in a world still blighted by religious zealots, Brian's is still a lone voice crying in the wilderness. Aside from being a neat spoof on the Hollywood epic, it's also almost incidentally one of the most realistic on-screen depictions of the ancient world--instead of treating their characters as posturing historical stereotypes, the Pythons realised what no sword 'n' sandal epic ever has: that people are all the same, no matter what period of history they live in. People always have and always will bicker, lie, cheat, swear, conceal cowardice with bravado (like Reg, leader of the People's Front of Judea), abuse power (like Pontius Pilate), blindly follow the latest fads and giggle at silly things ("Biggus Dickus"). In the end, Life of Brian teaches us that the only way for a despairing individual to cope in a world of idiocy and hypocrisy is to always look on the bright side of life.

On the DVD: Life of Brian returns to Region 2 DVD in a decent widescreen anamorphic print with Dolby 5.1 sound--neither are exactly revelatory, but at least it's an improvement on the previous release, which was, shockingly, pan & scan. The 50-minute BBC documentary, "The Pythons", was filmed mainly on location in 1979 and isn't especially remarkable or insightful (a new retrospective would have been appreciated). There are trailers for this movie, as well as Holy Grail plus three other non-Python movies. There's no commentary track, sadly. --Mark Walker

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